Extralegal assassinations, unwarranted domestic surveillance, interventionist wars at the behest of corporate interests, torture or other activities of that stripe – these all have their roots in the Dulles era in which covert, corporate power developed into a well-oiled and unaccountable machine running roughshod. These dark forces have continued to operate regardless of who is elected president; and the refusal to face them has caused the Democratic Party to lose its way, writes Alex Sill.
Whoever decided that this script needed to be played out on the wide screen of a darkened theater was simply wrong. It seems that the writer and director realized that mistake on the way to production. They then tried to justify that decision. In this reviewer’s opinion, it did not work, writes Jim DiEugenio.


Aside from Shane O'Sullivan's mostly worthwhile Killing Oswald, there has been very little of note that has even attempted to counter the MSM's seemingly endless deluge of propaganda with reliable evidence and solid reasoning. A Coup in Camelot clearly aims to fill that void. Unfortunately, however, it falls considerably short of the mark, writes Martin Hay.
The National Enquirer announces, "Castro’s Deathbed Confession: ‘I Killed JFK!’" (December 7, 2016)

John Armstrong shows how the FBI altered the photographic evidence to misrepresent Oswald's belongings as taken from the Dallas police. Included is a piece of testimony to the Warren Commission that was altered before inclusion, and copies of two letters from the IRS showing that at least two of Oswald's W-2 records of employment were forged in January, 1964.
By Flint Taylor, At: Truthout

by Rex Bradford, At: Mary Ferrell
Read her story at: JFK Countercoup
By Mark Shaw, At: NY Daily News
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